ACT I

Ruthie's Monologue

Stage is set with a simple chair & table stage left. There's a bed stage right.  Door upstage center, with another door down stage right next to the bed.  In the background we hear accordion music, accompanied by a lone singer.  He's singing an up tempo slightly out of tune Mexican folks song. There is the slight rumble of a subway in the background.  Lights are down.  Music fades, then a single spotlight comes up on Ruthie, stage center front.

RUTHIE

It's been a beautiful fucking day. 

Suburbanites.  They just don't get it.  They've never had to deal with true bullshit.  Sure, maybe the lawn sprinkler goes off at the wrong time every now and then... their Kentucky Bluegrass gets a little waterlogged, but what the hell do they really have to worry about?  They have trees and grass and life all the fuck around them.  Birds chirping and shit.  Try living in New York City.  Try riding the subway.  It's packed to the gills at seven in the morning and along comes some damn Mexican playing his out of tune accordion, singing like he's happy as a lark, shilling for a couple of pesos.  Of course, the tourists... the damn Suburbanites who happen to be on their way to the Empire State Building or where ever the hell else it is fat people with lousy fashion sense gather at seven in the morning... Of course they eat it up.  They think it's quaint.  All part of the New York City charm.  Meanwhile I'm thinking I'd like to strangle that little spic with his own accordion strap.  I'm wishing he'd take his ass back to Guatemala or where the hell he came from and stop taking the subway solicitation jobs away from hardworking Americans.  This is what goes through my head at seven in the morning on the packed to the gills 4 train to my shit job waiting tables.  It gives me no pleasure saying this, but I wish he'd take his little lone man mariachi band back across the border and leave me alone.  It's loud and it hurts my ears.

I'm sick of this life I'm living and I'm sick to death of this miserable city.  I come home some days and I feel like I've been beat with a stick.  This city, and the people in it have turned me in to a racist fuck.  I hate the Mexicans, and the Pakis and the Wasp pricks I serve gellatos to all day.  I feel like screaming on a daily  basis.  I've had to repair the wall in my living room five times in the last month because I put my fist through it.  Last night I almost broke my wrist.

So yeah.  It's been a beautiful fucking day.

Lights come up as we hear a knock on the door.  Ruthie checks the peephole, appears shocked.  She eventually opens the door to reveal Mark.

Mark

Hi Ruthie.

Ruthie

Mark.

MARK

It's been a long time.

RUTHIE

Yes, it has.

MARK

Ages.

Awkward silence

MARK

Can I come in?

RUTHIE

Sure.  I guess.

Ruthie gestures and Mark steps inside.  Ruthie closes the door.

MARK

You look good.

RUTHIE

I take care of myself.

MARK

Diet, exercise...

RUTHIE

I quit smoking and I only eat on odd numbered days.

MARK

Extreme.

RUTHIE

A girls gotta do.

MARK

I just quit smoking.

RUTHIE

Nasty habit.

Awkward silence.

MARK

It's been a long time.

RUTHIE

It's been 10 years.

MARK

This place hasn't changed at all.  That picture of Mom and Dad.  Same bedspread.  Same tile floor. You still keep things neat as a pin.

RUTHIE

Keeps me busy between social engagements.

MARK

Really?  You seeing someone?

RUTHIE

Oh, I'm quite the social butterfly.

MARK

That's nice, Ruthie.

RUTHIE

Mark, I don't mean to be rude or anything, but--

MARK

It's important to stay busy.  Keeps the mind focused.  Good to have things to do.

RUTHIE

Yeah.  Right.  It's been ten years, Mark.

MARK

Ten years?

RUTHIE

Yes, ten years since I've seen you.

MARK

Doesn't feel like ten years.

RUTHIE

It never does.

MARK

Ruthie--

Ruthie

I honestly never wondered.

MARK

What's that?

RUTHIE

I said I never wondered... what happened to you.

MARK

Oh.

RUTHIE

That's what you were going to eventually say, right?  Something along the lines of "you've probably been wondering what I've been up to all these years".  I haven't.  What I am wondering about is when you're going to get to the part about what you're doing here.

MARK

I don't think that's what I was going to say.

RUTHIE

It doesn't matter.

MARK

It matters to me.

RUTHIE

I'm sure it does.

MARK

I don't want any trouble.

RUTHIE

I'm not offering any.

MARK

I'm here with my hat in hand.

RUTHIE

You're not wearing a hat.

MARK

Metaphorically speaking.

RUTHIE

I see.

MARK

You're family, Ruth.

RUTHIE

Metaphorically speaking.

MARK

I don't have anyone else to turn to.

RUTHIE

The surreal life lived tragically.

MARK

I need a place to stay.

RUTHIE

Funny, I've always felt the need to say in place.  It's like we're on the same page.

MARK

Then I can stay?

RUTHIE

I didn't said that.

MARK

I see.  Make your older brother jump through a few hoops first?

RUTHIE

Like old times?  I do so enjoy seeing you up on your cross.

MARK

Blasphemer.

RUTHIE

I'd make Pontias Pilate proud.

MARK

So shoot.  Give me your best.

RUTHIE

Mark, you know you took the best I had years ago.

MARK

And now you're all alone in this world.

RUTHIE

Not a soul but me.

MARK

Ruthie the martyr.  Saint Ruthie on the cross.

RUTHIE

I take my lashes on a daily basis.  I have a guy a call.  He's very good at what he does.  Quite the professional.  You should see my crown of thorns.  Very elegant.

MARK

Would saying "I'm sorry" help?

RUTHIE

It's a start, but your mileage may vary.

MARK

I'm sorry I left you when you needed me most.

RUTHIE

Think nothing of it.

MARK

You have a right to be angry.

RUTHIE

I disagree, actually.  We don't have a right to anything in this world.  No rights.  No privileges.  Nothing but savagery.  Fight for a while. Beat back the darkness while you can.  Live.  Die.  Dust.

MARK

Wow.  Dark.  Ruthie, Let's get to the heart of this situation.  You require a pound of flesh.  I'm prepared to offer that. I'm ready to do what it takes to get you on my side.

RUTHIE

Ever the optimist.

MARK

Susan left me.

RUTHIE

Susan?

MARK

My wife, Susan.

RUTHIE

Smart woman.  Saw the light sooner than you, no doubt.

MARK

I came home one night and she was gone.

RUTHIE

No note.  No explanation.

MARK

Ironic, isn't it?

RUTHIE

Richly.

MARK

I just need a place to crash for a few days while I clear my head.

RUTHIE

I'm afraid I have nothing witty left to say.

MARK

Then I can stay?

RUTHIE

Does it matter whether I say yes or no?

MARK

I'd like to think it does.  I want you to say yes.

RUTHIE

Just for a few days.  I'll make up the sofa.

MARK

You  won't regret this.  I promise.

Lights fade.  End Scene 1


copyright 2007 - Thomas Sullivan